Born in 1805 into a prominent German Jewish family, Fanny Mendelssohn displayed an early affinity for music. Her father, Abraham Mendelssohn, recognized her talent and encouraged her musical pursuits. Yet, the prevailing attitudes of the time limited the aspirations of women, even those as gifted as Fanny. In a society that deemed the public sphere unsuitable for women, Fanny found her creative outlet in the domestic realm. Despite this, she managed to cultivate a remarkable body of work that showcased her immense compositional skill.  

Fanny's relationship with her brother, Felix Mendelssohn, was both supportive and complex. Felix, a prodigious composer and conductor, held his sister's musical abilities in high regard. They shared a close bond, often engaging in musical discussions and collaborations. In fact, their correspondence reveals a deep affection and mutual respect for each other's talents. However, societal norms of the time often relegated Fanny to the role of a "supportive sister" rather than allowing her to shine in her own right.  

Fanny's compositions, though fewer in number than her brother's, were marked by their expressive depth and technical brilliance. Her music encompassed various genres, including lieder (German art songs), piano works, chamber music, and choral compositions. Her piano pieces, in particular, showcased her affinity for lyrical melodies and intricate harmonies. Notable among her works is the collection of "Das Jahr" ("The Year"), a cycle of piano pieces composed over a year, each piece representing a month and displaying her versatility and emotional range. One of the most notable aspects of Fanny's compositions was her ability to infuse her music with profound emotions. She often drew inspiration from her personal experiences, reflecting her inner world in her music.